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Capriccess for Netscape Collage
Slovenia
Collage, Digital on Wood
Size: 15.7 W x 23.6 H x 1.6 D in
Ships in a Crate
About The Artwork
In early '90, before Internet, Google, Facebook and Mobile phones changed our lives, at the times when only Geeks owned computers, a growing tribe of good willing hackers, artists and activists founded the last Avant-garde movement of the 20st Century - net.art We were building an equitable community in which art was conspicuously present in our everyday activities and goals, exploiting the characteristics peculiar to the Internet, like immediacy and immateriality. With immateriality comes fugacity, reminding us on our own transitoriness. Being primary a visual artist I created this tangible compositions to perpetual preserve an encoded essence of the net.art. I called them Tangible net.art and this one is about a project Capriccess for Netscape I introduced on film+arc in Graz, Austria, 1996
Details & Dimensions
Collage:Digital on Wood
Original:One-of-a-kind Artwork
Size:15.7 W x 23.6 H x 1.6 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Shipping & Returns
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Slovenia.
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Slovenia
I use machines to create art, wondering if machines will one day understand my art. Computers, mobile phones and robots are strongly getting into our minds. We are more and more behaving like machines, while Intelligent devices are more and more behaving like humans. Once there might be no difference between the machine and the human at all. I examine different forms our technology based society takes, and the motives that lie behind it. I use the copy-paste culture, post-production and modularity as the common denominators of the digitized worlds. Altering them is a way of questioning the attitudes, fears, unwritten rules, opportunities and dangers which have formed that environment and our behavior within it. Aesthetics and ontology of my work are strongly related to my working process. I take icons, symbols and other entities from the mediated reality and combine them in algorhytmic ways. I strive to convey that sense of algorhytmic simplicity by capturing its algorhytmic language.
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