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Christopher Drawing

Oliver Jones

Drawing, Pastel on Paper

Size: 70.9 W x 86.6 H x 0.1 D in

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3320 Views
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About The Artwork

This is a study of the subtle distortions of the face when under different stresses. Its aim is to compel the viewer into studying the complex map of the flesh through 're-advertising' a more honest image of the visage.

Details & Dimensions

Drawing:Pastel on Paper

Original:One-of-a-kind Artwork

Size:70.9 W x 86.6 H x 0.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Oliver Jones is an artist based in the UK working from his studios in both rural Shropshire and Birmingham where he co-runs A3 Project Space and Studios. His work is most fundamentally concerned with flesh, in particular how its image exists and how it is interpreted in society. Jones’ large scale, photo-realistic pastel works aim to question societies notion of flesh, provoking the viewer to analyse the surfaces which are more closely evident in reality opposed to the manipulated imagery we are flaunted most apparently through media and industry. "Flesh is one of the most abundant and influential cues we are exposed to in our modern day lives, yet the frequency of its image has led us to become unquestioning of it, allowing its image to evolve into something far removed from how it exists in reality. Industries eagerness to reflect a false and manipulated vision has induced, within our perception, a sense that these images are the norm. It has prompted society to become familiar and accepting of an idealised image that is far removed from the everyday, in instances accentuating our narcissism and vanity and prompting a pursuit of perfection and an alternate reflection” Given that advertising is one of the most powerful ambassadors of such an image Jones adopts similar techniques in his work in an attempt to 're-advertise' and exemplify a more common and truthful representation of flesh. "My work aims to exemplify this improper refelction of the flesh commonly advertised, manipulated and exploited, by reflecting a more honest image of reality. The works take the form of large scale photo-realistic drawings using the fragile properties of paper and chalk pastel as the medium to reflect and enhance the fragile nature of the flesh. More importantly the application is so closely comparable to the way we apply products, touch and handle skin that the process symbolises the routines and rituals we go thorough to maintain it. The time taken during this process also aims to dispel the immediacy of the instant and technological portrayal of the exterior that we have become accustomed to." Oliver Jones was born in Shropshire in 1985 and works from his studio in Birmingham. In 2014 he presented ‘Love the Skin You’re In’, his first North American solo show at GUSFORD | los angeles, and was shortlisted for the Young Masters Art Prize.

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