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L'Album ou Le Carton à dessins des Geologies - Artist's Book Collage

Pascale Baud

France

Collage, Paper on Cardboard

Size: 14.4 W x 13.4 H x 0.4 D in

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About The Artwork

This book consists of an enlargement of the first layer of the first block of "Géologies Quotidiennes" (work that took place daily during 12 years, where every day I covered work of the day before by collages, painting ...) . This painting was cut to form the pages of the "book". But instead of linking together these pages are glued, folded to be able to find the starting composition. Links can to close each page. Poems written during the realisation of Géologies Quotidiennes are visible after opening all the pages. Coverage is based on the principle of a custom artist folio. Fine cords that I hand-woven are fixed outside the cover and allow to close on all sides. Ce livre est composé d'un agrandissement de la première couche du premier bloc des "Géologies Quotidiennes" (travail qui s'est déroulé quotidiennement sur 12 ans, où chaque jour je recouvrais le travail de la veille par collages, peinture...). Cette peinture a été découpée pour former les pages du "livre". Mais au lieu de les relier ensemble, ces pages sont collées, pliées pour pouvoir retrouver la composition de départ. Des liens permettent de fermer chacune des pages. Les textes poétiques écrits pendant la réalisation des Géologies Quotidiennes sont visbles après avoir ouvert toutes les pages. La couverture est basé sur le principe d'un carton à dessin fait sur mesure. De fines cordelettes que j'ai tressée à la main sont fixées à l'extérieur du carton et permettent de le fermer de tous les côtés.

Details & Dimensions

Collage:Paper on Cardboard

Original:One-of-a-kind Artwork

Size:14.4 W x 13.4 H x 0.4 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

For many years I worked without trying to exhibit. There were nevertheless small and "big" exhibitions. Like being selected with a group of friends for a parallel exhibition at the Dokumenta 8 in Kassel in 1987: International exhibition "Gruppenkunstwerk" (collective art work). Then long years with my Daily Geologies (work realized over 12 years on a day-to-day basis), unexhibitable, given the concept itself = each day the "layer" or deposit covers that of the day before - in the end the paper and paint form a block of several dozen centimeters or more. I continued to work, to experiment, to fill in notebooks as if I were filling in a perpetual diary, to wander from one field to another: photography, writing, then to the design of artists' books (where I learned a little about bookbinding). Since a few years with Internet I show my work. Virtual encounters that have led to real exhibitions (UK Polarama), in Australia and also in France. ----------------------------------------- How to define my work? Color? Black & White? Materials? Or simply graphic work evoking sometimes engraving? A game of back and forth between all that. A bipolarity of expression sometimes confusing that can unfold in long spirals of writing to burst elsewhere in another form as the book-objects or even ... So to simplify = I keep 3 words: Writing, Spiral, Weft. ------------------------------------------------ I draw with my eyes closed what I cannot see with my eyes open. PB ------------------------------------------------ ------------------------------------------------ Pendant de longues années j'ai travaillé sans chercher à exposer. Il y a eu malgré tout des petites et "grandes" expos. Comme de se trouver sélectionnée avec un groupe d'amis pour une exposition en parallèle à la Dokumenta 8 à Kassel en 1987 : Exposition internationale "Gruppenkunstwerk" (Oeuvre d'art collective). Puis de longues années avec mes Géologies Quotidiennes (travail réalisé sur 12 ans au jour le jour) in-exposables, étant donné le concept lui-même = chaque jour la "couche" ou le dépôt recouvre celui de la veille - au final le papier et la peinture forment un bloc de plusieurs dizaines de centimètre voire plus. Je continuais à travailler, à expérimenter, à remplir des carnets comme si je remplissais un journal intime perpétuel, à me promener d'un domaine à l'autre: photographie, écriture, puis à la conception de livres d'artistes (où j'ai appris un peu la reliure).

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