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Leaving in a Jet Plane (29 Palms, CA). diptych, Edition 2/10

20x20cm, digital C- Print
Zertifikat + Signatur / Certificate + Signature
Artist Inventory Number 787.14, 829.14

 In the numerous photographic series, some twenty or so, that occur between 29 Palms and Hitchhikers, Schneider has immersed herself and scrutinised many aspects of suburban, peripheral, and scrubland Amer- ica. Her characters, including herself, are never at the centre of cultural affairs. Such eccentricities as they might possess are all derived from what could be called their adjacent status to the dominant culture of America. In fact her works are often sated with references to the sentimental sub- strata that underpin so much of American daily life. It is the same whether it is flower gardens and household accoutrements of her photo-series Suburbia (2004), or the transitional and environmental conditions depicted in The Last Picture Show (2005). The artist’s use of sentimental song ti- tles, often adapted to accompany individual images within a series by Schneider, show her awareness of America’s close relationship between popular film and music. For example the song ‘Leaving on a Jet Plane’, becomes Leaving in a Jet Plane as part of The Last Picture Show series, while the literalism of the plane in the sky is shown in one element of this diptych, but juxtaposed to a blondewigged figure first seen in 29 Palms. This indicates that every potential narrative element is open to continual reallocation in what amounts to a story without end. And, the interchange- able nature of the images, like a dream, is the state of both a pictorial and affective flux that is the underlying theme pervading Schneider’s photo-narratives. For dream is a site of yearning or longing, either to be with o without, a human pursuit of a restless but uncertain alternative to our daily reality. (Mark Gisbourne, Stranger than Paradise)
Leaving in a Jet Plane (29 Palms, CA). diptych, Edition 2/10

20x20cm, digital C- Print
Zertifikat + Signatur / Certificate + Signature
Artist Inventory Number 787.14, 829.14

 In the numerous photographic series, some twenty or so, that occur between 29 Palms and Hitchhikers, Schneider has immersed herself and scrutinised many aspects of suburban, peripheral, and scrubland Amer- ica. Her characters, including herself, are never at the centre of cultural affairs. Such eccentricities as they might possess are all derived from what could be called their adjacent status to the dominant culture of America. In fact her works are often sated with references to the sentimental sub- strata that underpin so much of American daily life. It is the same whether it is flower gardens and household accoutrements of her photo-series Suburbia (2004), or the transitional and environmental conditions depicted in The Last Picture Show (2005). The artist’s use of sentimental song ti- tles, often adapted to accompany individual images within a series by Schneider, show her awareness of America’s close relationship between popular film and music. For example the song ‘Leaving on a Jet Plane’, becomes Leaving in a Jet Plane as part of The Last Picture Show series, while the literalism of the plane in the sky is shown in one element of this diptych, but juxtaposed to a blondewigged figure first seen in 29 Palms. This indicates that every potential narrative element is open to continual reallocation in what amounts to a story without end. And, the interchange- able nature of the images, like a dream, is the state of both a pictorial and affective flux that is the underlying theme pervading Schneider’s photo-narratives. For dream is a site of yearning or longing, either to be with o without, a human pursuit of a restless but uncertain alternative to our daily reality. (Mark Gisbourne, Stranger than Paradise)
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Leaving in a Jet Plane (29 Palms, CA). diptych - Limited Edition 8 of 10 Photograph

Stefanie Schneider

United States

Photography, Polaroid on Other

Size: 15.8 W x 7.9 H x 0.1 D in

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$760USD

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About The Artwork

Leaving in a Jet Plane (29 Palms, CA). diptych, Edition 2/10 20x20cm, digital C- Print Zertifikat + Signatur / Certificate + Signature Artist Inventory Number 787.14, 829.14 In the numerous photographic series, some twenty or so, that occur between 29 Palms and Hitchhikers, Schneider has immersed herself and scrutinised many aspects of suburban, peripheral, and scrubland Amer- ica. Her characters, including herself, are never at the centre of cultural affairs. Such eccentricities as they might possess are all derived from what could be called their adjacent status to the dominant culture of America. In fact her works are often sated with references to the sentimental sub- strata that underpin so much of American daily life. It is the same whether it is flower gardens and household accoutrements of her photo-series Suburbia (2004), or the transitional and environmental conditions depicted in The Last Picture Show (2005). The artist’s use of sentimental song ti- tles, often adapted to accompany individual images within a series by Schneider, show her awareness of America’s close relationship between popular film and music. For example the song ‘Leaving on a Jet Plane’, becomes Leaving in a Jet Plane as part of The Last Picture Show series, while the literalism of the plane in the sky is shown in one element of this diptych, but juxtaposed to a blondewigged figure first seen in 29 Palms. This indicates that every potential narrative element is open to continual reallocation in what amounts to a story without end. And, the interchange- able nature of the images, like a dream, is the state of both a pictorial and affective flux that is the underlying theme pervading Schneider’s photo-narratives. For dream is a site of yearning or longing, either to be with o without, a human pursuit of a restless but uncertain alternative to our daily reality. (Mark Gisbourne, Stranger than Paradise)

Details & Dimensions

Multi-paneled Photography:Polaroid on Other

Artist Produced Limited Edition of:1

Size:15.8 W x 7.9 H x 0.1 D in

Number of Panels:2

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Stefanie Schneider lives and works in the High Desert of California. Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters. Schneider works with chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream-scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction. She is currently working on the 29 PALMS, CA. 29 PALMS, CA is a feature film / art piece that explores and chronicles the dreams and fantasies of a group of individuals who live in a trailer community in the Californian desert. A defining feature of the film is the use of still images and the use of voice over. Characters talk to us / themselves / you about their ambitions, memories, hopes, fears and dreams. The film is to be shot using a mix of super 8 and 16mm film stock and Polaroid images. Certain computer-generated effects will also be used to enhance the films surreal mood and to animate its dark humor. Radha Mitchell, Marc Forster, Udo Kier, Max Sharam among others are participating in the project. Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles.

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