view additional image 1
View in a Room ArtworkView in a Room Background
200 Views
2

VIEW IN MY ROOM

So Far So Good - Limited Edition 1 of 15 Print

Julien Guibreteau

United States

Printmaking, Lithograph on Paper

Size: 20.1 W x 13.8 H x 0 D in

Ships in a Tube

info-circle
$290USD

check Shipping included

Primary imagePrimary imagePrimary imagePrimary imagePrimary image Trustpilot Score
200 Views
2

Artist Recognition

link - Artist featured in a collection

Artist featured in a collection

About The Artwork

This piece is part of a series bound in a book published by RLD edition in Paris. It has been printed in duotone on Tan BFK paper (Arches), Acid free with alkaline reserve. It combines lithography and hand printed block prints stamped by the artist, which make it a unique piece, no proof is quite perfectly alike its kin.

Details & Dimensions

Printmaking:Lithograph on Paper

Artist Produced Limited Edition of:1

Size:20.1 W x 13.8 H x 0 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

My work operates with a combinatorial principle, I organize improbable encounters of “motifs", a sort of factory for potential meanings. Like visual haikus where the "sacred" meets the trivial, my series function with a humorous offset strategy. A few rules lead my art practice: -Voluntarily use of "low tech" processes. The act of making is essential for me, as an artist I am in what I make. The choice of carving, of printing, stenciling, do collage (not digitally) meet this desire to have a hands-on approach. To live the tension of shaping the Idea in the matter is a fundamental experience. This attitude is also a “political gesture” that puts me upstream the current fashion of entrepreneur-artists whom delegate the making. -Work In series and set visual formulas. Constraints are opportunities to synthesize, clarify and move towards an assumed simplicity. I exploit the potential of my series until my desire wears off. Variation, combination, recycling are means of this research for clarity and visual efficiency. -Lay out sequences. My creative thinking was formed by sequential arts like comics and cinema as well as by my encounter with museum artworks. It drew to me the need to multiply the image ... My polyptyques continue to explore the range of possibilities for the assembly, the ellipse and the construction of pictorial space. -Choose "archetypal motifs" Rembrandt, angels, King Kong, Chanel No. 5, banana skins, Buddha, 100$ bills, astronauts, etc. The subject-matters is central in my approach but is chosen capriciously. I extract figures from the common culture for their archetypal dimension, for their potential to carry along with them a set of images, meanings that the viewer activate and complete when meeting my work. Actually these subject I pick do not interest me in themselves, but for the way they “sing” and “sound” when combined. Analogical and futile, they collide and "dialogue" in the simultaneity of the image. But as Francis Bacon put it, "If we can say it, why bother to paint it? »

Artist Recognition

Artist featured in a collection

Artist featured by Saatchi Art in a collection

Thousands Of Five-Star Reviews

We deliver world-class customer service to all of our art buyers.

globe

Global Selection

Explore an unparalleled artwork selection by artists from around the world.

Satisfaction Guaranteed

Our 14-day satisfaction guarantee allows you to buy with confidence.

Support An Artist With Every Purchase

We pay our artists more on every sale than other galleries.

Need More Help?

Enjoy Complimentary Art Advisory Contact Customer Support