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netartist.eu Sculpture

Teo Spiller

Slovenia

Sculpture, Wood on Wood

Size: 15.7 W x 19.7 H x 3.1 D in

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673 Views
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About The Artwork

Spiller, internationally recognised in the area of net. art, has produced a graphic oeuvre of machine-generated images. His Laboro device (Latin for 'work'), made on the principle of the CNC machines used in serial production, employs a repetitive, rhythmic motion to leave grooves, holes, dots, and lines that create images. In/ Form/ations transforms well-known web pages (in this case Spiller's webpage) into reliefs. Spiller explores subtle but complex shortcomings created by digitisation with its matrix approach. Because every hole represents a letter from the web page, as defined by its depth, a material artefact emerges from the non-material flow of digital data. Different shadows produced by different depths create a dynamic flickering as in the world of screens. Semantically, the word " information" suggests data hidden 'in form'. The structure of wood provides an excellent example: it is a chronography of the climatic and biological conditions in which the tree developed. Plywood is an industrial composite glued together in a rhythmic collage. Exhibited also at 30th Biennial of Graphic Arts in Ljubljana

Details & Dimensions

Sculpture:Wood on Wood

Original:One-of-a-kind Artwork

Size:15.7 W x 19.7 H x 3.1 D in

Shipping & Returns

Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I use machines to create art, wondering if machines will one day understand my art. Computers, mobile phones and robots are strongly getting into our minds. We are more and more behaving like machines, while Intelligent devices are more and more behaving like humans. Once there might be no difference between the machine and the human at all. I examine different forms our technology based society takes, and the motives that lie behind it. I use the copy-paste culture, post-production and modularity as the common denominators of the digitized worlds. Altering them is a way of questioning the attitudes, fears, unwritten rules, opportunities and dangers which have formed that environment and our behavior within it. Aesthetics and ontology of my work are strongly related to my working process. I take icons, symbols and other entities from the mediated reality and combine them in algorhytmic ways. I strive to convey that sense of algorhytmic simplicity by capturing its algorhytmic language.

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