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Slovenia
Mixed Media, Algorithmic Art on Wood
Size: 15.7 W x 19.7 H x 3.1 D in
Ships in a Crate
Spiller, internationally recognised in the area of net. art, has produced a graphic oeuvre of machine-generated images. His Laboro device (Latin for 'work'), made on the principle of the CNC machines used in serial production, employs a repetitive, rhythmic motion to leave grooves, holes, dots, and lines that create images. In/ Form/ations transforms well-known web pages into reliefs - in this case the sloveniatimes.com. Spiller explores subtle but complex shortcomings created by digitisation with its matrix approach. Because every hole represents a letter from the web page, as defined by its depth, a material artefact emerges from the non-material flow of digital data. Different shadows produced by different depths create a dynamic flickering as in the world of screens. Semantically, the word " information" suggests data hidden 'in form'. The structure of wood provides an excellent example: it is a chronography of the climatic and biological conditions in which the tree developed. Plywood is an industrial composite glued together in a rhythmic collage. Exhibited also at 30th Biennial of Graphic Arts in Ljubljana
Original Created:2011
Subjects:Science/Technology
Materials:Wood
Styles:Abstract
Mediums:Algorithmic Art
Mixed Media:Algorithmic Art on Wood
Artist Produced Limited Edition of:1
Size:15.7 W x 19.7 H x 3.1 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Slovenia.
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Slovenia
I use machines to create art, wondering if machines will one day understand my art. Computers, mobile phones and robots are strongly getting into our minds. We are more and more behaving like machines, while Intelligent devices are more and more behaving like humans. Once there might be no difference between the machine and the human at all. I examine different forms our technology based society takes, and the motives that lie behind it. I use the copy-paste culture, post-production and modularity as the common denominators of the digitized worlds. Altering them is a way of questioning the attitudes, fears, unwritten rules, opportunities and dangers which have formed that environment and our behavior within it. Aesthetics and ontology of my work are strongly related to my working process. I take icons, symbols and other entities from the mediated reality and combine them in algorhytmic ways. I strive to convey that sense of algorhytmic simplicity by capturing its algorhytmic language.
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